An audio piece in collaboration with non-fiction writer Laura Grace Simpkins, about her experience with lithium, prescribed to manage symptoms of bipolar disorder. Commissioned by the Wellcome Collection.
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Composition and sound design for Nell Hardy’s play, ‘NoMad’, about her experience of homelessness and psychiatric hospitalisation. Performed at Greenwich Theatre, with support from Tramshed.
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Composition and sound design for ‘Voices from Prison’, stories written by women in prison, performed by Clean Break members.
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Composition and sound design for Carbon Theatre’s Seedling, an audio installation about having children in the context of the climate crisis. First shown at the Grosvenor Centre, Northampton.
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Composition and sound design for Spring by Staging Change. Co-created by Alice Boyd and Josie Dale-Jones. Part of: HOME Reopening Programme May 2021 , Homemakers.
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Composition and sound design for Spore Score, as part of the Alchymy Festival 2021 at North Wall Art Centre, Oxford. Created with Emergency Chorus.
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Composition and sound design for Sustainable Matter by Staging Change. Co-created by Alice Boyd, Josie Dale-Jones and David Shearing.
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Composition and sound design for two audio pieces as part of the Donmar Warehouse’s Blindness: Take The Stage.
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Towards the end of 2020, Alice was selected as one of Sound and Music’s New Voices composers for 2020. As part of this programme, Sound and Music support composers over 18 months with coaching, mentoring and a financial grant to create a new piece of work and share it with the world.
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Composition and sound design for LAMDA’s ‘Blue Stockings’, written by Jessica Swale. Performed at the Sainsbury Theatre.
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A short audiovisual piece about loneliness in the city of London.
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Composition and sound design for Lighthouse’s audiovisual piece about Brighton’s high street, commissioned by Historic England. Selected for London Short Film Festival 2022.
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Composition and sound design for Land Skeins, a series of binaural audio stories, telling tales of encounters between humans and the natural world. Supported by National Youth Theatre, Paines Plough and BBC Writersroom. Nominated for an Offie OnComm Award.
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Composition, sound design and music direction for Theatre 503’s panto, ‘The Fairytale Revolution’, written by Anna Spearpoint and Lou Beresford. Live streamed to over 9000 school children in Wandsworth from Theatre 503.
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An audio piece in collaboration with non-fiction writer Laura Grace Simpkins, about the environmental impacts of lithium mining for lithium carbonate, a medication used to treat bipolar disorder. Selected for Louder Than The Storm’s climate intersectionality exhibition and Glasgow-based art radio channel Radiophrenia 2020.
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Composition for James Nash’s micro-game, ‘OBSTACOURSE’, using PICO-8’s 32 notes and 8 synth instruments.
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Composition, sound design, devising and performing for Poltergeist’s Untapped Award winning show, ‘Art Heist’, about three thieves who break into the same gallery on the same night. Performed at Latitude Festival, Underbelly Edinburgh, New Diorama Theatre, and more.
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Composition and sound design for Long Distance Theatre’s ‘Omelette’, about climate anxiety and the pressure to do the right thing. Performed at VAULT Festival 2020.
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Composition and sound design for ‘small myth’, a show which examines a mother and daughter’s stories unravelling in the face of climate crisis, and what might blossom in their place. Performed at VAULT Festival, 2020.
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Composition, sound design, devising and performing for Alan and Ron’s comedy drag show ‘Two Super Super Hot Men’, about two middle-aged foley artists coming to terms with the climate crisis. Performed at VAULT Festival 2020.
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