A live streamed immersive digital experience with the aim of connecting audiences with natural world. Featuring Alice’s music created after an artist residency at the Eden Project. Supported by the Department of Digital, Culture, Media and Sport (DCMS).
Read MoreAudio lead and original music for Poltergeist’s new audio walk in the City of London, featuring all-star cast, led by Juliet Stevenson. Also starring Adam Buxton, Lydia West, Paterson Joseph, Tanya Reynolds, Nina Wadia and David Mumeni. One of the Guardian’s top 25 Christmas shows for 2021.
Read MoreAn audio piece in collaboration with non-fiction writer Laura Grace Simpkins, about her experience with lithium, prescribed to manage symptoms of bipolar disorder. Commissioned by the Wellcome Collection.
Read MoreComposition and sound design for Nell Hardy’s play, ‘NoMad’, about her experience of homelessness and psychiatric hospitalisation. Performed at Greenwich Theatre, with support from Tramshed.
Read MoreComposition and sound design for ‘Voices from Prison’, stories written by women in prison, performed by Clean Break members.
Read MoreComposition and sound design for Carbon Theatre’s Seedling, an audio installation about having children in the context of the climate crisis. First shown at the Grosvenor Centre, Northampton.
Read MoreComposition and sound design for Spring by Staging Change. Co-created by Alice Boyd and Josie Dale-Jones. Part of: HOME Reopening Programme May 2021 , Homemakers.
Read MoreComposition and sound design for Spore Score, as part of the Alchymy Festival 2021 at North Wall Art Centre, Oxford. Created with Emergency Chorus.
Read MoreComposition and sound design for Sustainable Matter by Staging Change. Co-created by Alice Boyd, Josie Dale-Jones and David Shearing.
Read MoreComposition and sound design for two audio pieces as part of the Donmar Warehouse’s Blindness: Take The Stage.
Read MoreTowards the end of 2020, Alice was selected as one of Sound and Music’s New Voices composers for 2020. As part of this programme, Sound and Music support composers over 18 months with coaching, mentoring and a financial grant to create a new piece of work and share it with the world.
Read MoreComposition and sound design for LAMDA’s ‘Blue Stockings’, written by Jessica Swale. Performed at the Sainsbury Theatre.
Read MoreA short audiovisual piece about loneliness in the city of London.
Read MoreComposition and sound design for Lighthouse’s audiovisual piece about Brighton’s high street, commissioned by Historic England. Selected for London Short Film Festival 2022.
Read MoreComposition and sound design for Land Skeins, a series of binaural audio stories, telling tales of encounters between humans and the natural world. Supported by National Youth Theatre, Paines Plough and BBC Writersroom. Nominated for an Offie OnComm Award.
Read MoreComposition, sound design and music direction for Theatre 503’s panto, ‘The Fairytale Revolution’, written by Anna Spearpoint and Lou Beresford. Live streamed to over 9000 school children in Wandsworth from Theatre 503.
Read MoreAn audio piece in collaboration with non-fiction writer Laura Grace Simpkins, about the environmental impacts of lithium mining for lithium carbonate, a medication used to treat bipolar disorder. Selected for Louder Than The Storm’s climate intersectionality exhibition and Glasgow-based art radio channel Radiophrenia 2020.
Read MoreComposition for James Nash’s micro-game, ‘OBSTACOURSE’, using PICO-8’s 32 notes and 8 synth instruments.
Read MoreComposition, sound design, devising and performing for Poltergeist’s Untapped Award winning show, ‘Art Heist’, about three thieves who break into the same gallery on the same night. Performed at Latitude Festival, Underbelly Edinburgh, New Diorama Theatre, and more.
Read MoreComposition and sound design for Long Distance Theatre’s ‘Omelette’, about climate anxiety and the pressure to do the right thing. Performed at VAULT Festival 2020.
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